John McCrae Movie Treatment

Posted on April 11, 2025 by Solid Snake

TITLE: “In Flanders Fields”
A film by Terrence Malick or Angelina Jolie
Written by JCJ

GENRE:

Historical Drama / War Poetry / Psychedelic Realism

LOGLINE:

In the blood-soaked trenches of World War I, Canadian doctor and poet John McCrae fights to save the lives of shattered soldiers. As the dead rise in memory and verse, and poppies bloom from cratered soil, McCrae is torn between medical duty, poetic prophecy, and the haunting truth that the very flower that honors the fallen is also turned into heroin — a drug that numbs pain but erases souls.

TREATMENT:

ACT I – THE PHYSICIAN-POET

1915, Ypres Salient, Belgium.
Major John McCrae, a Canadian military doctor, sits in a dugout scribbling the first lines of his immortal poem. His hands are bloodied from surgery. He smokes in silence. Explosions echo in the distance.

The poppy fields shimmer under firelight — red, delicate, eternal. A wounded soldier stares at them through morphine-laced eyes and whispers, “So beautiful… even in hell.”

McCrae’s hospital tent becomes a revolving door of mutilation. As a man of science and spirit, he balances logic with grief. Each lost life becomes a ghost that whispers in his ear.

ACT II – THE FLOWER AND THE FLESH

Through a young orderly named Tommy, McCrae learns how the soldiers have begun to call morphine “poppy wine.” He watches as the wounded beg for more — not to die, but to float away.

Voiceover from McCrae’s journal:

“They say the poppy brings peace. But what peace is it that steals a man’s mind while leaving his body behind?”

A subplot follows a young French nurse, Marguerite, who introduces opium tea to the critically wounded, saving some from agony but sending others into spirals of hallucination. In one dreamlike sequence, a dying soldier walks through a field of poppies and meets the spirit of war — a figure made of smoke and brass, who offers him eternal sleep.

ACT III – FIELDS OF FORGETTING

McCrae writes “In Flanders Fields” after the death of his friend Lieutenant Alexis Helmer. He doesn’t mean it to be political. But the poem spreads like wildfire. Politicians use it to recruit new soldiers. The poppy becomes a symbol — of memory, of nationalism, of grief.

McCrae is conflicted. In his quiet moments, he studies the chemical transformation of the poppy — from flower, to latex, to morphine, to heroin.
He whispers to Marguerite:

“We use it to soothe pain… but what if it becomes a way to forget the truth?”

In a haunting montage, addicts in future decades inject heroin. The flower that once honored the fallen now fuels forgotten wars — Vietnam, Afghanistan, the ghettos of America.

ACT IV – LEGACY

McCrae dies of pneumonia in 1918. But his words live on.

The final scene shows a young girl in modern-day Kabul, standing in a poppy field, reciting “In Flanders Fields.” The camera pulls back to reveal warplanes overhead.

A final voiceover: