London area mayor seeks removal of ‘anti-Semitic’ mural

New World Order Mural

(JTA) — A London mural depicting Jewish bankers is set to be removed following complaints that it has anti-Semitic undertones.

The London Jewish Chronicle reported that the council of the London borough of Tower Hamlets had said it was talking with police to have the image removed.

The mural, titled Freedom for Humanity, depicts a group of businessmen and bankers counting money around a Monopoly-style board balanced on the backs of men with dark complexions. It was reportedly spray-painted on private property. The Los Angeles-based artist, Kalen Ockerman, acknowledged that some of the bankers were Jewish but said the mural was not anti-Semitic.

“My mural is about class and privilege,” he wrote on his Facebook page. “The banker group is made up of Jewish and white Anglos. For some reason they are saying I am anti-Semitic. This I am most definitely not… What I am against is class.”

Lutfur Rahman, the Tower Hamlets mayor, said he “shares concerns” that the mural is anti-Semitic, and that it “perpetuated anti-Semitic propaganda about conspiratorial Jewish domination of financial and political institutions,” the Chronicle reported.

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Rihanna is Isis

Rihanna
Isis was one of the most powerful goddess in the ancient world, she was worshiped as the ideal mother, the mistress of mysteries and magic and the matron of Nature. The goddess Isis was the first daughter of Geb and Nut the god and goddess of the earth and sky respectively.
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Myth of Isis

Isis (pronounced eye’sis), also known as Au Set (“exceeding queen”) and Isis Panthea (“Isis the All-Goddess”), was worshipped in many places including Egypt, the Roman Empire, Greece and Germany. When her beloved Osiris was killed then dismembered and scattered by her brother Set, Isis searched out the pieces and reassembled them. She found all but his penis, which she replaced with one of gold. Through use of her magic and healing arts she brought Osiris back to life then conceived, through his golden penis, the Sun God Horus. When the temples of Isis were turned into Christian churches, Isis with baby Horus on her lap became the Virgin Mary and Jesus.

Message of Isis

Isis is one of the most well known and well loved of all the Goddesses. She is the image of the loving mother who would do anything to keep their child safe and secure. Isis tells you that no matter what our age that there are times when we, too need to be mothered. We may spend a great deal of time caring for others and for events in our lives. This may leave very little time and energy for ourselves. Isis tells you that it is okay to take time to mother yourself. You may need to take time from your life to nurture yourself and to love yourself. Isis says that now is the time for you to take time to mother your own spirit. She wants you to heal yourself. The best way to heal yourself is to give yourself the love and attention that can only come from the love of a mother. Isis says that no one ever outgrows the need to be mothered. No one will ever be able to say they have developed beyond the need for the cradling and the comfort of unconditional love, protection and respect.

A Short Guide to Occult Symbols:“Isis Unveiled”
By Carl Teichrib

Symbols are oracular forms–mysterious patterns creating vortices in the substances of the invisible world. They are centers of a mighty force, figures pregnant with an awful power, which, when properly fashioned, loose fiery whirlwinds upon the earth. —Manly P. Hall, Lectures on Ancient Philosophy, p.356.(Manly P. Hall was one of the most influential occultists of the last century. He was recognized as a leading figure in the quest for mystical knowledge, and is considered one of the greatest Freemasons of the last one hundred years.)

According to the Concise Oxford Dictionary, “symbol” can be defined as “a mark or character taken as the conventional sign of some object, idea, function, or process.” The New Age movement and the occult–which, in many ways, are one and the same–have greatly employed the use of symbolism. I find it disturbing that while the historical and contemporary “marks” of occultism can be found throughout our modern culture, we no longer recognize their spiritual implications. However, just because the average person doesn’t know the meaning of occult symbols, it in no way negates their significance. As Manly P. Hall stated, “They are centers of a mighty force, figures pregnant with an awful power…” The fact remains, occult symbols have never lost their meaning. Today, New Agers and practitioners of the occult still employ their use, just as mystics have throughout the ages. Part five of this multipart series on occult symbols focuses exclusively on Isis and the cult of the goddess. The reason for this singular look at Isis is simple: throughout history, Isis and various forms of goddess worship has played a significant role in our world’s religious and cultural makeup. Today, goddess veneration is still very much alive and well, and images of the goddess–in various forms–can be identified in every state and province.

Isis: “Queen of Heaven”
Inscribed in the temple of Isis; “I, ISIS, AM ALL THAT HAS BEEN, THAT IS OR SHALL BE; NO MORTAL MAN HATH EVER
ME UNVEILED. THE FRUIT WHICH I HAVE BROUGHT FORTH IS THE ‘SUN’.”

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Isis is the “divine mother” of ancient Egypt. She was known as the great goddess of magic and “universal nature,” and used her powers to raise her dead (and dismembered) husband Osiris back to life (Osiris was represented as the Sun, he also ruled the underworld). As “Virgin of the World,” Isis birthed Horus, the Egyptian god of the sun and moon, day and night. Metaphorically speaking, Isis is the celestial mother of the Sun (son) of god. It was her son, Horus, who eventually killed Typhon, the Egyptian devil. And, according to legend, Isis–mother of all–remains eternally virgin. She is often portrayed “as the virgin with child,” and is regularly depicted as one crowned with a lunar orb and the horns of a bull. Goddess veneration of the “virgin with child” has been a central belief for various societies throughout history, including some aspects of Christianity. Indeed, many leading occultists see striking parallels between the Mary becomes a “goddess” in the Catholic faith, just as Isis was a goddess in the pantheon of Egyptian deities. And just as Isis was (and still is) called “Mother of the World” and “Queen of Heaven,” so too Mary is now exalted with these same titles. While the Roman Catholic/Isis comparison shows a tangible link between Catholicism and the mystery religions, Mary as Biblically understood shows little connection. Yes, Mary was the virgin mother of Jesus, Son of God, but she never remained a virgin. Mark 6:3 actually lists four of Jesus’ brothers and mentions sisters as well. The Biblical Mary was also sinful. Romans 3:23 makes it clear that “all have sinned”–which would include Mary. The only exception to this rule is found in Jesus Christ (Hebrews 4:15 is one example among many that attests to Jesus’ sinless character). Nor does the Biblical Mary play a direct role in mankind’s salvation, rather, the Bible makes it clear that Christ’s death and resurrection was a completed act. As Jesus Himself said, “It is finished.” He didn’t say, “It’s finished, subject to the continuing work of Mother Mary.” So how is Isis as a symbol used today? While finding an actual statue of Isis may not be as easy as finding the “all seeing eye,” goddess symbols are prevalent throughout America. The great seal of Virginia features the Roman goddess Virtus. The Statue of Liberty is a goddess representation, with her sun-ray spikes an allusion to the headgear of the Colossus of Rhodes, a monument to the Sun-God Helios (interestingly, Auguste Bertholdi, the creator of the Statue o Liberty, was seeking a commission to construct a giant Isis statue holding a torch overlooking the Suez Canal). From the goddess atop the downtown Indianapolis circle monument to the embossed goddess figures Roman Catholic “Virgin Mary”–the “Queen of Heaven”–and the goddess Isis. And the comparison is startling. Presently, Roman Catholicism holds Mary to be eternally virgin, just as Isis was. Catholicism also contends that Mary was without sin, making her into a type of “god.” In fact, there are some who claim that Mary is the “fourth person” within the Trinity. This belief is linked to Catholicism’s claim that Mary now has a direct say in mankind’s salvation through her (Catholic) role of co-redemption and mediation.

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Hence, the elevated upon state and provincial legislative buildings, goddess symbols are well rooted within modern America. And now a group of New Agers has started the “Goddess 2000 Project,” which seeks to have a goddess statue or other depiction “on every block.” Internationally, the Fellowship of Isis–an organization “dedicated to honoring the religion of the Goddess in Her many forms”–has chapters across Germany, the United Kingdom, and the US. It’s global headquarters is located in Clonegal Castle, Ireland. Presently, the Fellowship of Isis offers an entire program of correspondence studies, rites, rituals, prayers and degrees to those wishing to advance within the goddess mystery religions. The secret doctrine of Isis, her mysteries and powers are, according to Manly P. Hall, purposely hid from the average person. According to occult sages, properly understanding the spiritual depths of Isis requires initiation, study, and commitment. Hall explains in The Secret Teachings of All Ages, “…the great spiritual truths hidden from the world by the ignorance of the world, and the keys of the secret doctrines of the ancient philosophers, are all symbolized by the Virgin Isis. Veiled from head to foot, she reveals her wisdom only to the tried and initiated few who have earned the right to enter her sacred presence…” The figure of Isis can also be used to manipulate the black arts. Hall states, “The figure of Isis is sometimes used to represent the occult and magical arts, such as necromancy, invocation, sorcery…” Hall continues by linking Isis and the order of Freemasonry, “In one of the myths concerning her, Isis is said to have conjured the invincible God of Eternities, Ra, to tell her his secret and sacred name, which he did. This name is equivalent to the Lost Word of Masonry. By means of this Word, a magician can demand obedience from the invisible and superior deities.” Obviously, the importance of Isis and the accompanying symbolism of goddess adoration is vital to understanding our society’s obsession with goddess worship and the occult in general. In our attempt as Christians to comprehend the roots of the New Age movement, we must be aware that Satan has tirelessly thrust the deities of ancient Egypt upon mankind for thousands of years. Ultimately though, it doesn’t really matter if “she” is called Isis, Diana, Virtus, Cybele, Rhea, or Mother Mary, the concept is always the same–the lifting up of a pagan goddess as a replacement for the true God. I am the Lord your God, who brought you out of the land of Egypt, out of the house of bondage. You shall have no other gods before Me. — Exodus 20:2-3.

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Mozart and the Illuminati

Mozart Vienna Lodge

Mozart in Vienna Lodge

On 14 January 1786, Mozart joined the new lodge The Crowned Hope. But he was not present at the opening ceremony and later he seldom attended their meetings. During this period, Mozart seldom wrote Masonic music.

Mozart belonged to the society where the llluminati still dominated. Only during the last year of his life, 1791, did he produce new pieces of music for the freemasons. This music contained secret codes and moods. Mozart desired true friends. This was why he became a freemason. All his friends were freemasons. As a very sociable person, Mozart could not be alone and therefore needed friends to associate with.

It has been observed that Mozart, due to his membership in Masonic lodges, found it easier to succeed and to make a name for himself in Europe, since high-ranking Masonic brothers supported him. Nearly half of the members of To True Harmony were aristocrats who helped Mozart, for example Esterhazy. Mozart’s publishers were also freemasons: Pasquale Artaria, Cristophe Torricella and Franz Anton Hoffmeister.

Mozart could always count on the brotherly hospitality of the freemasons, and during his sojourns abroad, he always received economic support and free lodgings. During his travels 1787-1791, the freemasons in Prague and other places helped Mozart in various ways. There is written evidence which proves this. Friends among the freemasons played a crucial role in aiding Mozart financially: Lichnowsky, Franz Hofdemel and Michael Puchberg were among his most important creditors.

Mozart, in his turn, helped other freemasons by acquiring loans for them. In December 1787, Mozart was appointed the imperial chamber composer. This gave him requisitions for greater operas. The Illuminati had become a state within the state. Despite all the prohibitions, they continued with their subversive activities against society. At that time, people lacked experience and resources to protect themselves against freemasonry, which was under the influence of the Illuminati.

The prominent Austrian composer Franz Schubert was not a freemason and he died poor and unappreciated.

As a gifted man, Mozart finally managed to see through the Illuminati’s evil, despite the fact that it appeared to be an angel of light. He intended to protect society by founding a secret society with several of his friends, Die Grotte (“The Cave”). Mozart was well aware of the deadly risk he was taking. Already in April 1787, he wrote in a letter to his father that death was actually the friend of man and that he could never lie down to sleep without thinking that he, despite his youth, might not see another day. (Maynard Solomon, “Mozart”, Stockholm, 1995.)

He wished to expose the magic and the conspiracy of the freemasons to the public. For this purpose he intended to use his opera “Die Zauberflote” (“The Magic Flute”), where Sarastro’s prototype was the Grand Master of the freemasons, Ignaz von Born. Mozart had a perfect memory. Once he had heard a melody, he could play it again later without making any mistakes. “The Magic Flute” (1791) contained many revelations about the secrets of freemasonry.

He used the pyramid of the Illuminati, the all-seeing eye, the temple and other secret symbols. These metaphors were later removed. Mozart also used musical means of expression by contrasting lyrical and tragic themes, elegance and folklore, fantastic details and the solid atmosphere of the orchestra. The opera premiered in the autumn of 1791.

The Illuminati could not forgive Mozart for this. “Requiem” was requisitioned from him anonymously in order to celebrate his own death. He was also paid in advance. The freemasons poisoned the object of their hatred slowly. “Requiem” was finished up to the second-to-last row of verse: lacrymosa dies ilia. Sussmayr finished the opus.

Hermann Ahlwardt claimed in his book “Mehr Licht!” (“More Light”) that Mozart was murdered. He died on 5 December 1791, precisely seven years after his initiation into the Masonic lodge. Salieri was later made the scapegoat. Hermann Wagener’s “Staats- und Gesellschaftslexikon” (volume 18, 1865) confirmed that Mozart was poisoned.

In 1990, several doctors tried to claim that Mozart died of a kidney disease. (Dagens Nyheter, 19 September 1990.) But if he had died a natural death, the freemasons would not have taken away Mozart’s body to prevent an autopsy after he died, or laid him in a grave for the poor together with quicklime.

If Mozart had been faithful to the freemasons, he would have been buried with great honors. His hypocritical “Masonic friends” wept crocodile tears. If “The Magic Flute” had been accepted, those in power would not have sent Johann Emanuel Schikaneder, author of the opera’s libretto, to a lunatic asylum, where he died in 1812.

In Austria, freemasonry was forbidden in the middle of the 1790s. Society managed to keep its ban on this subversive movement until 1918, when the freemasons in Austria came to power with the aid of the false socialist doctrine.

The freemasons continue to smear and depreciate Mozart today (for example Milos Forman in his film “Amadeus”).

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